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Friday, August 30, 2013

Lisa J Hobman

Hello,


Today's guest blogger is Lisa Hobman. When I met Lisa I had just got my publishing deal with Hodder and Lisa was writing her first book. She asked me for advice and I was happy to oblige. Since then we've kept in touch and I'm so proud that her first book and now her second have been picked up by a publisher. Lisa writes passionate, romance novels set in her beloved Scotland, so if you love romance or Scotland, these books are definitely for you. Lisa is a lovely person and deserves all the success she gets. So sit back, have a cup of tea (or coffee if you fancy) and read about Lisa's latest book THROUGH THE GLASS.





Firstly I would like to say a huge thank you to Jon for having me as a guest on his blog today.  Jon and I connected through social media quite a while ago now thanks to our mutual love of writing.  Ever since then Jon has been a supportive friend who had advised me on my path to becoming a published author. 

Now, if you’d asked me two years ago where I would like to see myself in the future I think I would’ve answered “Living in Scotland, running my own little craft business.”  How things have changed!  I did move to Scotland but I never would’ve said “Living in Scotland with two published novels under my belt” that’s for sure!  But here I am and boy does it feel surreal.  Suffice it to say that my craft business was stopped almost as soon as it had started!

When I started writing I had one goal in mind.  To write passionate, tug at the heart romance.  At the time I don’t think I, realistically, expected that anyone other than my friends would be reading what I had written but clearly I was wrong about that! 

So why romance?  I think it’s simply because love is a universal language.  Everyone wants to find love; to be loved by the one person they adore the most.  Right from our first crushes we are looking out for the person we want to spend our lives with.  What a wonderful subject to read/write about; the passion of a first kiss or a first meeting; wondering where a relationship will go; the heartache of losing love and finding it again.  It’s all-consuming.  For me anyway.  I love to read books where there are twists and turns, trials and tribulations that the couple in the story has to overcome to prove their love for each other. 

I’m such a romantic at heart and as a new author I simply aimed to write stories about characters that I wanted to read about myself.  What I aim to do now is to leave readers feeling warm and fuzzy with a happy glow.  If I achieve that then I’m ecstatically happy.


I hope you enjoy my new novel THROUGH THE GLASS.



Lisa's first book BRIDGE OVER THE ATLANTIC



Lisa's latest THROUGH THE GLASS


Do you want to know more about Lisa or get in touch?

Pop over to her website www.lisajhobman.co.uk

Follow her on Twitter @Living ScottishD


Until next time.

Hugs,
Jon X 

Tuesday, August 27, 2013

Jon meets...Nick Spalding

Hello,

I consider myself very lucky. I self-published my debut novel and managed to sell enough copies to get into the  Kindle top ten charts on Amazon and a subsequent publishing deal followed. My interview today is with Nick Spalding, who managed to sell so many copies of his two books LOVE...FROM BOTH SIDES & LOVE...AND SLEEPLESS NIGHTS that he was the top selling self-published author of 2012 on Amazon. The figures are mind-boggling. Nick was quickly snapped up by Hodder and Stoughton (the same publisher as me) and his books have continued to sell like hot cakes. He has since added a third title to the 'Love' trilogy, LOVE...UNDER DIFFERENT SKIES. The man is literally a publishing phenomena, which is, of course, very annoying for other writers because we all keep asking ourselves the same question - how the hell does he sell so many books? After laying awake night after night trying to figure out his secret, I thought I'd just ask him. Ladies and gentleman, I give you Nick Spalding.


Nick doing his best 'author' face


For the people who have been living in a tiny tent in Wales without internet, WiFi or near a book shop for the past year and have no idea who this Nick Spalding bloke is, tell us a bit about yourself.  

Oh God, I hate doing this. I feel like I'm filling in one of the dating site forms. Er... I like to have fun, enjoy long walks and having a laugh with my friends... How's that? Oh sod it, here's a copy and paste of my official bio:

Nick Spalding is an author who, try as he might, can't seem to write anything serious. He's worked in the communications industry his entire life, mainly in media and marketing. As talking rubbish for a living can get tiresome (for anyone other than a politician), he thought he'd have a crack at writing comedy fiction - with an agreeable level of success so far, it has to be said.

Nick lives in the South of England with his fiancée. He is approaching his forties with the kind of dread usually associated with a trip to the gallows, suffers from the occasional bout of insomnia, and still thinks Batman is cool. Nick Spalding is one of the top ten best selling authors in eBook format in 2012.


Like myself, you started as a self-published author before getting a mainstream publishing contract, I get asked this a lot too, but how the bugger did you sell so many books? Any tips for other aspiring Indie authors?

Sexual favours and bribery. Works every time. Failing that, a well written book with a good cover, good blurb and a good idea of how to promote online. Also, picking a genre that's popular with readers at that time really helps! It also doesn't hurt to suck off as many people at Amazon as you can find. Possibly twice. 


The Love... series has become such a huge success. I think it's such a simple but ingenious idea - Love from Both Sides. When you wrote the first one, did you have a series in mind or did the success just demand it?

I had no designs on any sequels when I punted the first one out. It felt like a one-off to me, but once it started to sell well I figured it was a wise move to write another one, and Jamie and Laura having a baby was the obvious progression, so that's how Sleepless Nights came about. Once you've written two books, a trilogy is always on the cards, especially when a publisher wants to throw some cash at you for it. I'll probably write a fourth one at some point, but the Newmans need a bit of time off for the minute, so I'll come back to it some time later next year.


Most authors tend to stick with one genre, but you've branched out and written the Cornerstone books too (aimed at children). What made you want to do this instead of sticking to one genre - especially one you're obviously very successful at?

I'm an idiot? All the advice says write in one genre and build a brand name in it, but I have a tendency to ignore good advice - to my peril. Besides, I love writing comedy fantasy. Two of my favourite writers are Terry Pratchett and Douglas Adams, so it stands to reason. Mixing things up keeps writing interesting as well. One day I even intend to write something serious, though quite what the world will make of a Nick Spalding book that doesn't contain at least one gag about bodily fluids is beyond me...


What's next up for Nick Spalding?  

The inevitable slide into middle-age? A mid-life crisis involving the purchase of a sports car that I'll look like a right tit in? Impotence? ...oh, sorry. You meant as a writer didn't you? Well, my next book is finished and with my agent, so hopefully that'll get picked up in the next few weeks. On top of that, the Love... books get their US release with Amazon in the new year, which I'm looking forward to promoting when it comes around. I've also got an idea swirling round my head for a short Christmas novella that I'll publish via Notting Hill Press before the yuletide season. On top of all that I'll have to spend at least ten thousand words on various movie forums in the next few weeks, complaining about how Ben Affleck really isn't a good bit of casting for the new Batman. So on the whole...  busy, busy.  


Lastly, and instead of asking the usual - what are your top tips for new authors? I'm going to ask you a slightly different variation on the question - what are the top five mistakes new writers make?  

1. Over complicated or badly designed covers. These can be a right put off. 
2. Responding to criticism. Just don't do it. 
3. Spending too much time on forums / websites and not enough time writing. 
4. Cranking out volume in favour of quality. Books aren't burgers. 
5. Taking the whole thing a bit too seriously. Writing is supposed to be enjoyable. As a tall hairy bloke from Maine once said, 'It's a long way back to Eden sweetheart, so don't sweat the small stuff.' 
6. Not sucking off enough people at Amazon.



LOVE FROM BOTH SIDES



LOVE AND SLEEPLESS NIGHTS


LOVE UNDER DIFFERENT SKIES

Thanks again to Nick. If you haven't read the LOVE trilogy and love laugh-out-loud novels about love, life and relationships, click on the book covers above and get them now! I read and loved them all.


Until next time.

Hugs,
Jon X

Sunday, August 25, 2013

Hello,

When I started writing HAPPY ENDINGS the idea was a simple one. Four late twentysomethings living in London. It was going to be a slice of life, a snippet of what happens as life, love, friends, careers and everything else collide. However, like in the book, as I got deeper into it more layers began to emerge; past stories, family history and before long the book was quite complex and had greater meaning than the book I'd originally envisaged. This is what I love about writing - it's a journey. As a reader you only get to see the final version, but every book you've ever read has been through some sort of evolution. The first draft was probably nothing like the book you're reading and this is definitely the case with HAPPY ENDINGS.

Take Kate for instance. When I started writing Kate, all I really knew was that she wanted to go travelling before she reached the big 30, but was being held back by her uptight boyfriend Ed. As the book started to change and all the individual stories began to fill up the pages, the places she visited, the travelling she had longed to do for so many years became like a metaphor for something else. The history with her father and all her subsequent relationships thereafter all become a major part of her trip. It becomes a journey that will change her life forever and it's the same for all the characters. The whole book is a journey and I hope one you enjoy from beginning to end, and who knows, maybe you'll feel a bit changed too when you finish it.

Until next time.

Hugs,
Jon X



Click on the cover to buy at Amazon

Wednesday, August 14, 2013

Hello,


Publication day for HAPPY ENDINGS is here! The eBook is out today (August 15th). I'm never quite sure to say on these blogs. I'm not going to say much about the book because, well, I've got about five other blogs coming out today and it might be a bit much. What I will say is THANK YOU! Thank you to everyone that bought THIS THIRTYSOMETHING LIFE and gave the chance to get a publisher and an agent. Without readers, I'm just a bloke who spends a lot of time on his computer. Without people to re-tweet and share Facebook messages and forward my blogs to their friends, the word wouldn't get out. It's a cliché, but without you I wouldn't be where I am today. THANK YOU! I also have to say a quick (but BIG) thank you to my editors Harriet Bourton and Laura MacDougall and my agent Ariella Feiner - their contributions made this book what it is today. 

I think that's quite enough mushy fluff and back-slapping and so without further ado, I give you my second novel published by Hodder and Stoughton, HAPPY ENDINGS.







Until next time,

Hugs,

Jon X

Sunday, August 11, 2013

Happy Endings - the final excerpt

Hello,

My second novel, Happy Endings, will be released on August 15th and so this will be the last and final excerpt before publication day! Yikes.

The book is written from four first-person perspectives. The main characters are Kate, Ed, Emma and Jack. Today it's the turn of Jack. 

Of all the characters in the book, Jack is the only one who knows what it is he wants to do with his life and doesn't change. Originally from Australia, Jack is still struggling to come to terms with the death of his father at age fifteen. Like all the characters, Jack's past plays a bit part in his present and future.Jack is desperate to be a published author for many reasons; to make his father proud, to finally feel like a success, but the biggest reason is his fear of losing his fiancee Emma. Emma is from a well-to-do family and is starting to realise her dream of being an actress, but with Jack unpublished and working in a coffee shop, he feels that unless he becomes a successful writer he'll lose the love of his life.

The eBook of Happy Endings will be released on August 15th. The paperback will be released on October 10th. Enjoy.










Jack



‘Ready?’ said Emma, walking into the room, fiddling with a pair of earrings and looking flustered. 

Emma always got nervous when she had business dinners. Of course, it wasn’t me who was trying to get a part in a film that could change the course of my whole life. I was nervous too, but trying to keep it together for her. She had spent years treading the boards, getting small parts in small plays, a few lines on television and even a couple of call backs for lead roles, but nothing like this. This was huge. This would make her career and change our lives forever. 

‘Just finishing up, love,’ I said, closing down my laptop.

‘Do you think Ed’s going to be all right?’ said Emma, zipping herself into a little black dress she’d treated herself to from Reiss, and looking every inch the film star: cropped blonde hair, a beautiful face with Audrey Hepburn features, big green eyes, full, curvaceous lips and the most perfectly petite body.

‘I hope so. He seemed a bit lost in the car.’

‘He did, didn’t he, poor thing. Although if I lost you for six months,’ she said, looking across at me with a tender smile. ‘I think I’d be depressed too.’

‘You never have to worry about that. I’m not going anywhere.’


Emma had been telling me to get ready for the last hour, but I was lost in thought over my book. I needed this novel to be The One because I’d already decided it would be my last attempt before I gave up and got a proper job.

I needed to prove to Emma, and more importantly to myself, that I could do something worthwhile. Ed told me frequently about jobs he could get me in the City, where I could earn four times the amount I made at To Bean or Not to Bean, the shitty Shakespearean-themed café I managed, serving ridiculously named coffees like The Taming of the Brew, the Caramel Macbeth and, my personal favourite, the Antony and Cappuccino.

I didn’t want to work in a dreary, soulless office, but it would give us a life. At that moment we were living off hand-outs from Emma’s parents and in the flat they owned. My life wasn’t mine, or as Ed said in the pub last week: ‘You’re a man, Jack. You need to be a man. To provide. To have something to measure your success against. Instead you’re being emasculated by her in-laws and a job you hate. It’s time to face reality, stop living a pipe dream and get a proper job.’ I was finally coming to the conclusion that perhaps he was right.

‘How do I look?’ said Emma, bouncing across the room, a ball of nervous energy as she gave me a kiss on the cheek.

‘Stunning,’ I said, grabbing her around the waist.

As we headed out of the door, hand-in-hand, and towards an expensive restaurant in Soho, I looked at Emma and a terrifying thought suddenly popped into my head. Maybe after dinner, we wouldn’t ever be like that again.


Matt Wallace was from Glasgow, had directed two very successful films already and was being touted, along with Rhys Connelly, as one of Britain’s brightest young things. He didn’t look that bright or young though as he sat opposite us: he was bald, probably nearer to forty than thirty, with ashen skin and a pair of tatty blue jeans and a creased green shirt. 

‘It’s yours,’ he’d said as soon as he sat down.

‘Excuse me?’ said Emma, although we’d both heard him quite clearly.

‘The role of Sarah. It’s yours. If you want it, that is.’

Emma started squealing; she cried, hugged me, kissed me, kissed Matt and I fell to pieces. I was elated for her, but also suddenly petrified that our lives were about to change dramatically and that, as much as I wanted the change, I might get left behind in the scramble. 

‘Oh my God, I can’t believe it, really?’ she said about twenty times. 

‘Emma, you’re going to be amazing. From the moment I saw you at auditions you were my first choice,’ said Matt. ‘I’ve asked Rhys to join us. He should be here any minute.’

My heart began to ache and suddenly I didn’t want to be in that restaurant with Matt and Rhys Connelly. My chest tightened and I needed some fresh air. Before I had the chance to go, a hum of muttered voices reverberated around the room and when I looked up Rhys Connelly was striding confidently towards us. A flash of paparazzi cameras snapped through the restaurant window like small fireworks. 

Matt made the introductions and Rhys sat opposite us. I reached across and put my hand on Emma’s leg. Rhys Connelly got his big break in Matt’s first film, On Primrose Hill, as the dashing lead in a syrupy romantic comedy. Then he traipsed across the Atlantic, starred in a huge American production and became a household name. Rhys was tall, ridiculously handsome and had the swagger and confidence you’d expect from a film star.
After some polite chit-chat, Emma excused herself to go to the toilet and so it was just Matt, Rhys and me.

‘So, what do you do?’ said Rhys, looking at me.

What did I do? I wanted to be a writer, but as much as I wanted to say it, I couldn’t, because their first question would be the same question I always got. Oh, what have you had published? And the answer would be nothing. The difference between being a writer and a published writer was the same as between being Rhys Connelly now or Rhys Connelly two years ago, before the fame. I hated moments like these.

‘I … umm … manage a coffee shop,’ I said.

Both Rhys and Matt tried to look vaguely interested or impressed, probably not impressed, but I could see what they were thinking. Emma’s getting married to a coffee shop manager? That isn’t going to last.

‘Which one? Maybe I know it,’ said Matt.

‘To Bean or Not to Bean?’

‘That is the question,’ said Rhys, laughing.

‘It’s just around the corner from the Globe,’ I added quietly.

‘Always packed with tourists,’ said Matt. ‘I prefer somewhere a bit quieter.’

I nodded and smiled because I didn’t know what else to say.

A waitress suddenly appeared, took our drinks order with a nervous smile, before returning quickly with a tray of drinks and a plate of starters. I took a quick sip of beer, picked up a small tart and shoved it in my mouth.

‘You must be so proud of her,’ said Matt.

‘Of course, yeah, over the moon.’

‘I’m really looking forward to working with her,’ said Rhys in his sexy Welsh accent.

Everything about the man screamed sexy bastard: the perfect amount of stubble, the messy long hair that somehow didn’t look too messy, the casual jeans, the piercing blue eyes and the impossibly square jaw.

‘And you’re OK with the nudity?’ said Matt suddenly.

The nudity? Emma hadn’t mentioned any nudity. The idea of millions of people seeing her naked made me sick to my stomach, but what could I say? I knew being an actress brought with it a whole smorgasbord of unappetising side dishes I had to pretend I liked, whether I did or not, but she’d never done nude before. I guess it was part of the deal and there was nothing I could do about it.

‘No worries.’

‘It can be a bit daunting for partners who aren’t in the business,’ said Matt.

‘Sure,’ I replied, taking another sip of my beer and grabbing another tart, needing something to settle my churning stomach.

‘And I’ll do my best to be professional with the sex scenes,’ said Rhys, with a humble smile.
His best? Was that a good thing or a bad thing? Was his best his best or his worst? I smiled, but my stomach was turning and twisting with an uneasy jealousy. It wasn’t a feeling or emotion I was used to. I wasn’t the jealous sort, the typical over-bearing bloke who tried to control every single thing his girlfriend did in the hope she wouldn’t leave me. It wasn’t me and I didn’t want those feelings drilling their way down into the bottom of my stomach and setting up camp. But this was Rhys Connelly, Britain’s best-looking bloke – what else was I supposed to feel?

It reminded me of the time I went to the fairground with Dad when I was twelve. I’d asked him a dozen times if I could go on this one particular ride. It looked terrifying, but thrilling at the same time. Finally, just before we left, he said we could go on it. We sat together in the small metal pod and as the man buckled us in the adrenalin and anticipation pumped through my body. I really thought I wanted to go on that ride. But once it got started, spinning around and around, going faster and faster, I closed my eyes and just wanted it to be over. I held on to Dad’s arm and cried until it stopped. It had seemed so exciting, but once it started, I couldn’t wait to get off and put my feet back on solid ground again.

Emma came back and sat down. I looked at her and something inside of me felt numb. She had a twinkle in her eye. She’d finally found her place in the world. She was going to be a film star and there was nothing I could do about it. She’d do the film and fall in love with Rhys, while I’d be the bloke she used to go out with before she became famous. Every celebrity has one of us. A year from now I’d be doing interviews with Sunday tabloids to pay the rent on my studio flat in Hackney.

‘Excuse me,’ I said, wiping the corner of my mouth with my napkin before getting up and walking off towards the toilet.

As I crossed the room, zigzagging my way between the maze of tables full to the brim with successful, happy people, all laughing and enjoying themselves, I couldn’t help but feel a deep sense of fear. I briefly looked back towards Emma and she was popping the cork of a champagne bottle. She squealed with delight as its frothy, expensive foam exploded and then slid down the sides of the bottle like lava and onto her hands. I looked away and kept on walking towards the toilet. Despite being in a room full of people in the centre of London, I’d never felt so completely and utterly alone.




Until next time.

Hugs,
Jon X